Monday, August 18, 2014

Multicultural rape again in Britain

A married father-of-two has been jailed after raping and filming a sexual assault on a 16-year-old girl as she slept in her bed.

Mazafer Maroof, 31, from Stoke-on-Trent, Staffordshire, raped the teenager after plying her with alcohol at a house party in April this year.

He then used his mobile phone to record a second sexual assault on the teenager.

During the trial, the jury saw video footage which showed the girl was asleep at the time of the two attacks.

Maroof denied carrying out the attacks, but was found guilty of rape and sexual assault after a trial at Stoke-on-Trent Crown Court.

He was jailed for seven years and also placed on the sex offenders' register for life.

During the trial, the court heard how Maroof had 'pestered' the girl at the house party.

Once her friends told Maroof to leave the girl alone, he left the party - but continued to send her dozens of 'vile and abusive' text messages.

He later returned to the party and persuaded the teenager and her friend to let him take them to a supermarket to buy more alcohol.

The trio then went back to a house to continue drinking. Once the girl fell asleep, and her friend left the property, Maroof raped his victim.

Sentencing him, Judge David Fletcher said: 'You have no empathy for your victim and you don’t have any remorse.

'It is clear that you were in a dark place, you were drinking vast amounts of alcohol, you were partying non-stop and you were separated from your wife and family.

'But you committed the offences on the girl. Your victim was a girl aged 16 and you were a married man of 30 at the time.

'She was unable to prevent you. The jury was shown video footage and it was clear there was no response.'

Defending Maroof, Barry Grennan said: 'He is 31 and he should have known better. He should have realised he cannot ply people with drink. He shouldn’t have done it and regrets it bitterly.

'He has spent the last two months in custody and found that to be a thoroughly unpleasant situation.

'He needs to address this so it doesn’t happen again and he is prepared to undergo sex offence courses.

'He wants to get back to his wife and he’s devastated he can’t see his children. He wants to complete his sentence, come out, get back to his family and work.'

After the hearing, Detective Inspector Becky Cawkwell, from Staffordshire Police’s child exploitation team, said: 'This sends out a strong message to those who commit such crimes - you will be caught and dealt with accordingly.

'Staffordshire Police is committed to protecting children and other vulnerable members of the community.

'We thoroughly investigate all allegations of sexual abuse, including historic offences, and work with partners to tackle these very serious crimes in a sensitive manner.'


Transphobia Is Perfectly Natural

Essay below by Gavin McInnes, chief creative officer of an advertising agency in New York.  He was fired for writing it

Heroic truth-teller, McInnes above

Wait—you’re transphobic?

You have a problem with a guy having his penis removed? He’s a chick, you asshole. God fucked up and made him a dude, but luckily we have the technology to fix that mistake. Why couldn’t he just be a drag queen? Well, for one, he needs to feel a penis inside him. No, his butt doesn’t count. He needs to feel a penis go in and out of his vagina—you know, like all women crave. That feeling of having your vagina fucked. It’s a primal urge, and to deny some woman this feeling just because she’s a dude is downright barbaric.

Haven’t you seen all the totally functional, happily married, normal trannies walking around? They aren’t all dead, you know. They sell flowers at the local village and bake pies for their scores of adopted children. They’re non-heteronormative. In fact, the only thing more normal than castrating yourself and taking tons of hormones to grow tits is chopping them off. Women who get double mastectomies and then have their cunts turned inside out are just righting a wrong. They need to have a weird cheese blintz-looking thing sticking out of their previous cooch because it feels way better than wearing a strap-on. Sure, the nerve endings aren’t the same as a real dick, but standing up to go pee pee is something these women were born to do. How dare you have a problem with that?

You will be totally comfortable when your daughter marries a post-op dude and you should have no problems with her smoking his blintz. When your dad tells you he is going to have his penis removed and thrown into a biowaste container at the hospital, your soul will become a placid lake of calm. “That’s totally normal, dad” you’ll say and begin to call him Mom2 from that day forward.

When Janet Mock appears on MSNBC and talks about growing up as a black chick, nobody’s going to bat an eye. We’ll all be totally comfortable with him retroactively rewriting history and putting a skirt on all his boyhood memories.

I kid. I kid. Of course it’s fucking unusual. We’re all transphobic. We aren’t blind. We see there are no old trannies. They die of drug overdoses and suicide way before they’re 40 and nobody notices because nobody knows them. They are mentally ill gays who need help, and that help doesn’t include being maimed by physicians. These aren’t women trapped in a man’s body. They are nuts trapped in a crazy person’s body. I see them on the streets of New York. They are guys with tits and a sweatshirt. They wear jeans and New Balance. “What’s the matter with simply being a fag who wears makeup?” I think when I see them. You’re not a woman. You’re a tomboy at best. Get fucked in the ass. And ladies, if you’re a butch lesbian, you’re a lady with a lot of testosterone. Put a dick on a belt and fuck your girlfriend. You don’t need to turn your vagina inside out. You’re not a man. You don’t even know what Turf Builder is.

By pretending this is all perfectly sane, you are enabling these poor bastards to mutilate themselves. This insane war on pronouns is about telling people what to do. It may empower you to shut down a school’s computer system because they phrased your gender wrong, but that’s just a game to you. To them, it’s a life-changing event that fucks them up. To fight against transphobia is to justify trannies. To justify trannies is to allow mentally ill people to mutilate themselves. When your actions are getting people mutilated, you’re at war with them.

It’s not great for women, either. Buying woman parts from a hospital and calling yourself a broad trivializes what it is to be a woman. Womanhood is not on a shelf next to wigs and makeup. Similarly, being a dude is quite involved. Ripping your vaginal canal out of your fly doesn’t mean you are going to start inventing shit and knowing how cement works. Being a man is awesome. So is being a woman. We should revere these creations, not revel in their bastardization. Being gay is a weird quirk that happens at birth. It’s like being an albino. If you’re born that way, you shouldn’t fight it. You don’t need to change who you are. In fact, doing so is sexist, misandrist, homophobic, and further damages the lives of the mentally ill.


‘The Edinburgh Fringe has failed us - and failed freedom’

The Israeli theatre group shut down by an anti-Israel mob talks to spiked.

21st century Nazis

As another temporary ceasefire between Israel and Hamas gives some respite from the tumult of recent weeks, another battle for Gaza continues to rumble on. There are no winners in war, goes the old, trite pacifist line, but if anyone is going from strength to strength at the moment, it’s Britain’s luvvies.

Emboldened by the current crisis and the growing Boycott, Divestment and Sanction (BDS) movement against Israel, they’re whipping themselves into pious fury. Old calls for the boycotting of Israeli artists, academics and produce – not too long ago seen as somewhat dubious, if not downright anti-Semitic – have led to a string of artists being shut down, cultural events being cancelled, and John Lewis shop assistants being grimaced at in the name of sending a message to Israel.

‘They demonstrated against us because we are Israeli, okay? Anything else is an excuse.’ These are the words of Arik Eshet, artistic director of the Jerusalem-based Incubator Theatre. He’s outraged, and he’s got a right to be. Incubator was due to bring its latest production, The City, to perform at the Edinburgh Fringe festival this month, but after pickets from pro-Palestine activists and pressure from handwringing British artists the show was cancelled. In between their tireless search for a new venue, I spoke to Eshet and two of the cast in the bar of the Gilded Balloon in Bristo Square – the heart of what, up to now, could be considered a thriving, liberal arts festival.

This sad story began in the weeks before the festival. The Incubator crew was preparing for its first preview at the Underbelly when 50 Scottish artists signed an open letter calling for the play to be cancelled because Incubator received a small proportion of their funding from the Israeli cultural ministry. The Scottish Palestine Solidarity Campaign picketed the preview, and insisted it would return every day until the show was cancelled. Due to apparent concerns over safety and disruptions to venues, Underbelly announced that it was looking for an alternative venue for The City, but, with the threat of further pickets still looming, this proved a near impossible task – Incubator is now going it alone.

‘I was very proud of the theatre, the Underbelly, that said there is freedom of speech, we are not cancelling the show. What saddens me is that they didn’t go further’, Eshet says. ‘All the institutions of the Fringe festival have failed. They failed, and the outcome is that we are shut down.’

A day after Underbelly issued a press release stating it had given up the search for a new venue for The City, the Tricycle Theatre in London made a similarly shocking announcement. Having hosted the UK Jewish Film Festival (UKJFF) for eight years, the partnership was now over, it said. The reason? The UKJFF received some support from the Israeli Embassy. After a tense back-and-forth in which the Tricycle, at one point, requested to pre-screen all entries to the festival, the UKJFF decided to withdraw.

It doesn’t take much investigation to see that the Tricycle’s decision is rank with hypocrisy. Just as Israel seems to have become a unique pariah on the world stage, despite the ongoing atrocities committed or spawned by other states – not least those in the Western, Israel-bashing world – it seems Israeli funding is similarly unique in its corrupting power. So much so that the Tricycle can slam UKJFF for receiving a small amount of money from the Israeli Embassy while itself taking £720,000 from the UK Arts Council - a wing of the British state, which is hardly known for its pacifism.

Back at the Fringe, a closer inspection of any number of flyers that are thrust into your hand on the Royal Mile reveals a small-print thankyou to the English or Scottish Arts Council. ‘Those British people or Scottish people are not seen as representatives of their government. And, as with us, they are probably not funded because of their political views, so how can you cancel them or blame them for anything?’, Eshet says, noting the irony of it all. ‘This is discrimination in the way they’re thinking.’

To nominally liberal-minded people, the idea of shutting down cultural events should sit badly. In a feeble attempt to defend itself against charges of censoriousness, or worse, anti-Semitism, the Tricycle offered to make up the funds that the UKJFF had received from the Israeli Embassy, and, in a similarly patronising move, David Greig, a Scottish playwright and one of the signatories to the original open letter against Incubator, has launched a Kickstarter fund that would help Israeli theatre companies make it to the Fringe without needing to touch Netanyahu’s grubby cash.

The UKJFF quite rightly declined the Tricycle’s offer, and Omer Mor, one of the writers and cast members of The City, is similarly unimpressed by Greig’s new funding idea. ‘As far as I’m concerned, you can’t do anything in Israel without [government] funding’, he says. ‘All [Greig] is saying is “but, hey, you can come to Edinburgh and perform with us!”. That’s disturbing.’ Eshet interjects: ‘He’s a hypocrite. He says “I’m for free speech”, but not for everybody. Not people from Israel, [not] people who get funding. [This fund] is like bribing somebody to hold his opinions and not other opinions.’

One thing that has been obscured by the boycotters’ caterwauling about Israel trying to ‘whitewash its crimes with art’ is the actual opinions expressed in the art that has been silenced. The UKJFF has always prided itself on offering a diverse range of opinions on the ongoing Israel-Palestine crisis, and The City, a ‘hip hop whodunit’ about a detective performed entirely in rhyme, is completely apolitical – rather whimsical, in fact. Eshet explains that Israeli funding has no political strings attached: ‘I have worked in this world for many years and I have never signed something like that… It’s not that we are anti-government, but we started doing satire performances in pubs. We have many people, many ideas. Because, you know, it was satire, a lot of it was against the government policies.’

I raise the also breezed-over fact that Incubator receives funding from a variety of sources, some of which include pro-integrationist groups. Eshet can see where I’m going with this, and is having none of it: ‘That really doesn’t matter. Even if we were fully funded [by the Israeli government], so what?’ Mor chimes in: ‘Even if we were political, it doesn’t mean that we can’t be heard.’

The Incubator guys offer a keen insight into how inherently censorious and illiberal the anti-Israel movement has become. If the Fringe, the Tricycle or any other cultural body wants truly to uphold free speech and free cultural exchange, then they need to defend the right of all opinions, no matter how dubious or state-sanctioned, to be expressed. But, as Mor explains, there is a keen double standard at play in relation to who does and doesn’t have the right to share space at the Edinburgh Fringe: ‘The protesters’ right to demonstrate was respected fully, even more than fully. But they did not respect the public’s right to choose what they want to watch or not watch.’ Eshet nods: ‘That’s why boycotts are wrong, because if boycotts are going on, that means their side is heard [but] the other side is not.’

Omer Havron, another of The City’s writers and stars, has been quiet up to now. As we unpick the arguments of the boycotters he pipes up, seeming to wonder why any of this happened in the first place: ‘It’s a hip-hop opera about a detective! A damn good show if you ask me.’ His exasperation speaks volumes.

In the end, beneath all the bluster of the BDS lobby, touting the self-serving Western myth that it was in-the-know Hampsteadites shunning South African oranges that really brought down Apartheid, and that a slew of cultural blockades will actually make Netanyahu think twice, is the bare truth: boycotts make absolutely no different to the crises they posture against. If they achieve anything, it is to silence those, like those from Incubator, who hold on to the idea that art and culture can transcend political divides.

Before I leave, Havron has the last word: ‘I want to call on every venue at the Fringe who has enough courage to say “I’m against it, and I’m up for freedom of speech” to take our show. We’re still here, we could have gone back home to give up, but we still believe in the festival.’ Here’s hoping his call is answered, lest Incubator becomes another ridiculous but depressing footnote to the luvvies’ war on everything Israeli.


Sir Cliff left in limbo as criticism grows

The police inquiry into Sir Cliff Richard came under mounting criticism on Saturday after Dominic Grieve, the former attorney general, called its handling of the case “odd” and “very questionable”.

Mr Grieve, who left the Cabinet last month, accused the police of colluding with the BBC in a move which led to the search of Sir Cliff’s home in Berkshire being filmed by the corporation.

Mr Grieve, the most senior politician so far to cast doubt on the police tactics, suggested that the South Yorkshire force might even have been acting in breach of national guidelines in making public its investigation into an allegation that the singer sexually assaulted a boy at a concert almost 30 years ago.

The chorus of criticism grew with complaints by senior lawyers, politicians and fans that Sir Cliff was now being kept in a “cruel limbo” while police decide what to do next.

Last night, Sir Cliff, 73, remained in his villa in the Algarve, Portugal, with his manager, long-time companion and sister offering support. Sources close to the singer said he had yet to be formally asked to return to Britain for a police interview.

South Yorkshire has insisted it is “seeking to speak” to him about the complaint made by his alleged victim more than a year ago. It is thought Sir Cliff will eventually be questioned under caution but the sources close to him expressed frustration they remained in the dark about the precise nature of the allegations and how long the inquiry might last.

A police spokesman said: “We cannot give details about the conversations we’ve had with the person in question. The investigation is ongoing and contact with him will form part of that.”

Sir Cliff first became aware of the inquiry when he heard reports that his home in Sunningdale, Berkshire, was being raided at lunchtime on Thursday while he was on holiday in Portugal. The BBC had a news crew stationed at the scene in readiness for detectives arriving and broadcast live footage from an overhead helicopter.

Mr Grieve said yesterday: “I can see that police might not want to warn somebody about a search because they fear a suspect will destroy the evidence. But it was much odder to tip off the BBC that they were carrying out the raid. That seems quite extraordinary. I have no reason to think they are acting capriciously but I think it was odd to notify the BBC so they could have journalists there to film the events.

“Unless the police can show the sound public reason for doing that it suggests a collusive relationship with the BBC which is very odd.

“The BBC’s presence is not required. The police have not arrested him or charged him. All they have done is carry out a search of his house so why have they notified the BBC so it could film this operation taking place? I simply don’t understand it. It is very questionable.” He added: “The police have their own ground rules and I think if you look at the ACPO [Association of Chief Police Officers] guidelines they cover this.”

South Yorkshire police insisted that the BBC had independently received a tip-off about the raid, which they had then confirmed.

According to the official guidance on the ACPO website: “Police forces must balance an individual’s right to respect for a private and family life, the rights of publishers to freedom of expression and the rights of defendants to a fair trial.

“Decisions must be made on a case-by-case basis but, save in clearly identified circumstances, or where legal restrictions apply, the names or identifying details of those who are arrested or suspected of a crime should not be released by police forces to the press or the public.

“Such circumstances include a threat to life, the prevention or detection of crime or a matter of public interest and confidence.” South Yorkshire police has admitted it had “worked with” the BBC in advance of the raid on Sir Cliff’s flat — Jonathan Munro, the corporation’s head of newsgathering, has denied that the force was the source of their tip-off.

Nigel Evans, the Conservative MP, who was cleared of sex offences after a trial this year, said Sir Cliff would be enduring “torture and torment” after watching his home being raided. He was now left in a situation “worse than limbo”. “Sir Cliff Richard must be wondering exactly what the hell is going on.

“I would have thought that the request would have gone in by now to speak to him. It’s not as if Sir Cliff has not said that he’s ready to cooperate with anything they want.”

Geoffrey Robertson QC, a leading human rights lawyer, questioned the police tactics. He said: “If the outrageous treatment of Paul Gambuccini and Jimmy Tarbuck is any guide, Cliff Richard will remain in a cruel limbo for 18 months or so until the police and the Crown Prosecution Service decide whether to charge him.”

Fans rallied to support the singer on his official Facebook site. Louise Nicklinson wrote: “I know that you are innocent — so just know that all of your devoted fans will stand and support you all the way.”

Laurie Holloway, a musical director who worked for the BBC and a close friend, wrote on Facebook: “How dare these people and officials cause a slur on him which will be difficult to erase?”

The naming of Sir Cliff was also criticised by Jill Saward, herself a victim of rape and a campaigner on the rights of victims.

She said: “I don’t think it’s right to have publicised it before somebody has even been questioned, I don’t believe that that is the right way ahead. But I think it’s important that from the moment somebody is questioned that we are made aware of the name of that person so that it can encourage other people to come forward.”

She added: “To know that other people out there have been through something similar makes it so much easier to feel that you will be believed.”

Last night Keith Vaz, the chairman of the Commons home affairs select committee, said he was writing to David Crompton, the force’s chief constable, to demand an explanation of its actions, saying “serious questions need to be asked” about the way they had handled the matter.

A spokesman for South Yorkshire Police said: “The force was contacted some weeks ago by a BBC reporter who made it clear he knew of the existence of an investigation. It was clear he was in a position to publish it.

“The force was reluctant to cooperate but felt that to do otherwise would risk losing any potential evidence, so in the interests of the investigation it was agreed that the reporter would be notified of the date of the house search in return for delaying publication of any of the facts.

“Contrary to media reports, this decision was not taken in order to maximise publicity, it was taken to preserve any potential evidence.

“South Yorkshire Police considers it disappointing that the BBC was slow to acknowledge that the force was not the source of the leak.

“A letter of complaint has been sent to the director-general of the BBC making it clear that the broadcaster appears to have contravened it’s editorial guidelines.

“South Yorkshire Police would welcome an investigation into the original leak.”

The spokesman added that it “is an ongoing and complex investigation” that was likely “to take some time”.

A BBC spokeswoman said: "A BBC journalist approached South Yorkshire Police with information about the investigation. The BBC agreed to follow normal journalistic practice and not to publish a story that might jeopardise a police inquiry."



Political correctness is most pervasive in universities and colleges but I rarely report the  incidents concerned here as I have a separate blog for educational matters.

American "liberals" often deny being Leftists and say that they are very different from the Communist rulers of  other countries.  The only real difference, however, is how much power they have.  In America, their power is limited by democracy.  To see what they WOULD be like with more power, look at where they ARE already  very powerful: in America's educational system -- particularly in the universities and colleges.  They show there the same respect for free-speech and political diversity that Stalin did:  None.  So look to the colleges to see  what the whole country would be like if "liberals" had their way.  It would be a dictatorship.

For more postings from me, see TONGUE-TIED, GREENIE WATCH,   EDUCATION WATCH INTERNATIONAL, FOOD & HEALTH SKEPTIC, AUSTRALIAN POLITICS and  DISSECTING LEFTISM.   My Home Pages are here or   here or   here.  Email me (John Ray) here


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